Alternate Title: NINE MEDALS SIMILAR IN DESIGN TO COINS 1943.1647A- H. Paul Manship, New York, New York, sold; to Grenville Lindall Winthrop, New York, New York (through Martin Birnbaum), 1929, ...

This wide, bowl like cup has a smooth, almost black finish and incised lines and decorative motifs. Handles at either side extend upward from the rim in an elegant loop that rejoins at the base of the ...

We see the head and shoulders of a woman in the extreme foreground at lower center left, standing among some large rocks. She has long straight dark hair and pronounced dark circles around her eyes as ...

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From a circular base, the pitcher expands in a bulb shape, to a narrow neck, which then expands again into a smaller bulb shape with a small opening at the top. An upward curving handle on one side is ...

Rodin deemed a head and arms to be superfluous to this sculpture; stripped of these, the torso and legs alone express the essential concept of movement. Rodin created many such fragments (that is, ...

In front of a tent at right, and a small folding table with written documents, George Washington stands facing us and looking directly at us with a confident expression. His gray hair pulled back, he ...

In a lavish room with ornate tapestries, a young woman with fair skin and long light brown hair lies against cushions on the floor, with only a silk sheet wrapped around her legs. A hookah and a fan ...

Dressed in a billowing white satin dress and small matching pumps, a woman at center looks back behind her, running along a path, past flowers and tall grasses on a hilltop under bright blue skies..

Sitting in profile facing left, in a chair with a red and gold patterned velvet back, a man turns his head to look at us. He wears white curly hair down to ear length, tied with a black bow in back.

The painting is constructed of loose, suggestive brushstrokes. Depicted from above, a small cottage is in the foreground to the right atop a grassy bluff overlooking the ocean. The pitched roof of the ...

This subject’s furrowed brow and close-cropped hair, rendered with simple chisel marks, place this portrait in the third century, a time of prolonged political upheaval, when Roman emperors were ...